Gallery

Gallery

Gallery

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค โŽฎProject Fulfill Art Space

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค
Project Fulfill Art Space

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค
Project Fulfill Art Space

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค๋Š” ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ์กฐ๊ฑด์— ๋Œ€ํ•œ ํƒ๊ตฌ๋ฅผ ํ•ต์‹ฌ ์›์น™์œผ๋กœ ์‚ผ์œผ๋ฉฐ, ๊ฐ ์ „์‹œ๋ฅผ ๊ธฐํšํ•  ๋•Œ ์žฅ์†ŒํŠน์ •์„ฑ(site-specificity)์˜ ๊ฐ€์น˜๋ฅผ ์ค‘์š”ํ•˜๊ฒŒ ๋ฐ˜์˜ํ•ฉ๋‹ˆ๋‹ค. โ€˜ํ”„๋กœ์ ํŠธ ํ’€ํ•„โ€™์ด๋ผ๋Š” ์ด๋ฆ„์€ ์ „์‹œ๋งˆ๋‹ค ์ž‘๊ฐ€๋“ค์ด ๊ฐค๋Ÿฌ๋ฆฌ ๊ณต๊ฐ„์˜ ๋ฌผ๋ฆฌ์  ํŠน์„ฑ๊ณผ ์กฐ๊ฑด์„ ์ž‘์—…์— ํ†ตํ•ฉํ•˜์—ฌ, ํ™˜๊ฒฝ๊ณผ์˜ ๊ด€๊ณ„ ์†์—์„œ ์ „์‹œ ๊ฒฝํ—˜์„ ์ƒˆ๋กญ๊ฒŒ ์ƒ์ƒํ•˜๋„๋ก ์ดˆ๋Œ€ํ•˜๋Š” ์ ‘๊ทผ ๋ฐฉ์‹์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” โ€˜๋ฐ”๋กœ ์—ฌ๊ธฐ, ์ง€๊ธˆโ€™์„ ๋œปํ•˜๋Š” ์ค‘๊ตญ์–ด ๋ช…์นญ โ€˜๋ฃจ์ด ์ž์ด(Jui Zai)โ€™์˜ ๊ฐœ๋…๊ณผ๋„ ๋งž๋‹ฟ์•„ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ฐ ์ „์‹œ์—์„œ ํ˜•์„ฑ๋˜๋Š” ๊ฐ๊ฐ๊ณผ ๊ฒฝํ—˜์€ ์ž‘ํ’ˆ๊ณผ ๊ณต๊ฐ„์ด ๊ธด๋ฐ€ํ•˜๊ฒŒ ๊ฒฐํ•ฉ๋œ ๋…์ฐฝ์ ์ธ ์ฐฝ์ž‘ ๊ฒฝํ—˜์„ ๋งŒ๋“ค์–ด๋‚ด๋ฉฐ, ๊ธฐ์กด์˜ ๊ฐค๋Ÿฌ๋ฆฌ ๊ฒฝํ—˜์„ ๋„˜์–ด์„œ๋Š” ์ƒˆ๋กœ์šด ์ฐจ์›์„ ์ œ์‹œํ•ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ž‘์—…๋“ค์€ ํŠน์ • ์žฅ์†Œ์™€ ์‹œ๊ฐ„์— ๊นŠ์ด ๊ฒฐ์†๋˜์–ด ์žˆ์–ด, ๋‹ค๋ฅธ ๊ณต๊ฐ„์œผ๋กœ ์‰ฝ๊ฒŒ ์ด๋™๋˜๊ธฐ๋ณด๋‹ค๋Š” โ€˜์ง€๊ธˆ, ์—ฌ๊ธฐโ€™์˜ ์‹œ๊ณต๊ฐ„ ์†์— ์–ฝํ˜€ ์กด์žฌํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.


Project Fulfill Art Space's key principle centers on the conditions of time and space, reflecting the values of site-specificity when approaching each exhibition concept. The gallery's name 'Project Fulfill' reflects our approach to each exhibition concept, where artists are invited to imagine the exhibition experience as a relationship with the environment, by integrating the gallery space; its characteristics and conditions into their artwork, echoing the notion of 'right here, right now' (which is also the meaning of Project Fulfill's Chinese name "Jui Zai").  The sensations and experiences found within each exhibition become unique creative experiences with both the artwork and its surroundings, transcending beyond a conventional gallery experience. Likewise each exhibition piece is not easily moved from one location to another, rather they become interwoven with the fabric of space and time in the here and now.

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค๋Š” ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ์กฐ๊ฑด์— ๋Œ€ํ•œ ํƒ๊ตฌ๋ฅผ ํ•ต์‹ฌ ์›์น™์œผ๋กœ ์‚ผ์œผ๋ฉฐ, ๊ฐ ์ „์‹œ๋ฅผ ๊ธฐํšํ•  ๋•Œ ์žฅ์†ŒํŠน์ •์„ฑ(site-specificity)์˜ ๊ฐ€์น˜๋ฅผ ์ค‘์š”ํ•˜๊ฒŒ ๋ฐ˜์˜ํ•ฉ๋‹ˆ๋‹ค. โ€˜ํ”„๋กœ์ ํŠธ ํ’€ํ•„โ€™์ด๋ผ๋Š” ์ด๋ฆ„์€ ์ „์‹œ๋งˆ๋‹ค ์ž‘๊ฐ€๋“ค์ด ๊ฐค๋Ÿฌ๋ฆฌ ๊ณต๊ฐ„์˜ ๋ฌผ๋ฆฌ์  ํŠน์„ฑ๊ณผ ์กฐ๊ฑด์„ ์ž‘์—…์— ํ†ตํ•ฉํ•˜์—ฌ, ํ™˜๊ฒฝ๊ณผ์˜ ๊ด€๊ณ„ ์†์—์„œ ์ „์‹œ ๊ฒฝํ—˜์„ ์ƒˆ๋กญ๊ฒŒ ์ƒ์ƒํ•˜๋„๋ก ์ดˆ๋Œ€ํ•˜๋Š” ์ ‘๊ทผ ๋ฐฉ์‹์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” โ€˜๋ฐ”๋กœ ์—ฌ๊ธฐ, ์ง€๊ธˆโ€™์„ ๋œปํ•˜๋Š” ์ค‘๊ตญ์–ด ๋ช…์นญ โ€˜๋ฃจ์ด ์ž์ด(Jui Zai)โ€™์˜ ๊ฐœ๋…๊ณผ๋„ ๋งž๋‹ฟ์•„ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ฐ ์ „์‹œ์—์„œ ํ˜•์„ฑ๋˜๋Š” ๊ฐ๊ฐ๊ณผ ๊ฒฝํ—˜์€ ์ž‘ํ’ˆ๊ณผ ๊ณต๊ฐ„์ด ๊ธด๋ฐ€ํ•˜๊ฒŒ ๊ฒฐํ•ฉ๋œ ๋…์ฐฝ์ ์ธ ์ฐฝ์ž‘ ๊ฒฝํ—˜์„ ๋งŒ๋“ค์–ด๋‚ด๋ฉฐ, ๊ธฐ์กด์˜ ๊ฐค๋Ÿฌ๋ฆฌ ๊ฒฝํ—˜์„ ๋„˜์–ด์„œ๋Š” ์ƒˆ๋กœ์šด ์ฐจ์›์„ ์ œ์‹œํ•ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ž‘์—…๋“ค์€ ํŠน์ • ์žฅ์†Œ์™€ ์‹œ๊ฐ„์— ๊นŠ์ด ๊ฒฐ์†๋˜์–ด ์žˆ์–ด, ๋‹ค๋ฅธ ๊ณต๊ฐ„์œผ๋กœ ์‰ฝ๊ฒŒ ์ด๋™๋˜๊ธฐ๋ณด๋‹ค๋Š” โ€˜์ง€๊ธˆ, ์—ฌ๊ธฐโ€™์˜ ์‹œ๊ณต๊ฐ„ ์†์— ์–ฝํ˜€ ์กด์žฌํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.


Project Fulfill Art Space's key principle centers on the conditions of time and space, reflecting the values of site-specificity when approaching each exhibition concept. The gallery's name 'Project Fulfill' reflects our approach to each exhibition concept, where artists are invited to imagine the exhibition experience as a relationship with the environment, by integrating the gallery space; its characteristics and conditions into their artwork, echoing the notion of 'right here, right now' (which is also the meaning of Project Fulfill's Chinese name "Jui Zai").  The sensations and experiences found within each exhibition become unique creative experiences with both the artwork and its surroundings, transcending beyond a conventional gallery experience. Likewise each exhibition piece is not easily moved from one location to another, rather they become interwoven with the fabric of space and time in the here and now.

ํ”„๋กœ์ ํŠธ ํ’€ํ•„ ์•„ํŠธ ์ŠคํŽ˜์ด์Šค๋Š” ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ์กฐ๊ฑด์— ๋Œ€ํ•œ ํƒ๊ตฌ๋ฅผ ํ•ต์‹ฌ ์›์น™์œผ๋กœ ์‚ผ์œผ๋ฉฐ, ๊ฐ ์ „์‹œ๋ฅผ ๊ธฐํšํ•  ๋•Œ ์žฅ์†ŒํŠน์ •์„ฑ(site-specificity)์˜ ๊ฐ€์น˜๋ฅผ ์ค‘์š”ํ•˜๊ฒŒ ๋ฐ˜์˜ํ•ฉ๋‹ˆ๋‹ค. โ€˜ํ”„๋กœ์ ํŠธ ํ’€ํ•„โ€™์ด๋ผ๋Š” ์ด๋ฆ„์€ ์ „์‹œ๋งˆ๋‹ค ์ž‘๊ฐ€๋“ค์ด ๊ฐค๋Ÿฌ๋ฆฌ ๊ณต๊ฐ„์˜ ๋ฌผ๋ฆฌ์  ํŠน์„ฑ๊ณผ ์กฐ๊ฑด์„ ์ž‘์—…์— ํ†ตํ•ฉํ•˜์—ฌ, ํ™˜๊ฒฝ๊ณผ์˜ ๊ด€๊ณ„ ์†์—์„œ ์ „์‹œ ๊ฒฝํ—˜์„ ์ƒˆ๋กญ๊ฒŒ ์ƒ์ƒํ•˜๋„๋ก ์ดˆ๋Œ€ํ•˜๋Š” ์ ‘๊ทผ ๋ฐฉ์‹์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” โ€˜๋ฐ”๋กœ ์—ฌ๊ธฐ, ์ง€๊ธˆโ€™์„ ๋œปํ•˜๋Š” ์ค‘๊ตญ์–ด ๋ช…์นญ โ€˜๋ฃจ์ด ์ž์ด(Jui Zai)โ€™์˜ ๊ฐœ๋…๊ณผ๋„ ๋งž๋‹ฟ์•„ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ฐ ์ „์‹œ์—์„œ ํ˜•์„ฑ๋˜๋Š” ๊ฐ๊ฐ๊ณผ ๊ฒฝํ—˜์€ ์ž‘ํ’ˆ๊ณผ ๊ณต๊ฐ„์ด ๊ธด๋ฐ€ํ•˜๊ฒŒ ๊ฒฐํ•ฉ๋œ ๋…์ฐฝ์ ์ธ ์ฐฝ์ž‘ ๊ฒฝํ—˜์„ ๋งŒ๋“ค์–ด๋‚ด๋ฉฐ, ๊ธฐ์กด์˜ ๊ฐค๋Ÿฌ๋ฆฌ ๊ฒฝํ—˜์„ ๋„˜์–ด์„œ๋Š” ์ƒˆ๋กœ์šด ์ฐจ์›์„ ์ œ์‹œํ•ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ž‘์—…๋“ค์€ ํŠน์ • ์žฅ์†Œ์™€ ์‹œ๊ฐ„์— ๊นŠ์ด ๊ฒฐ์†๋˜์–ด ์žˆ์–ด, ๋‹ค๋ฅธ ๊ณต๊ฐ„์œผ๋กœ ์‰ฝ๊ฒŒ ์ด๋™๋˜๊ธฐ๋ณด๋‹ค๋Š” โ€˜์ง€๊ธˆ, ์—ฌ๊ธฐโ€™์˜ ์‹œ๊ณต๊ฐ„ ์†์— ์–ฝํ˜€ ์กด์žฌํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.


Project Fulfill Art Space's key principle centers on the conditions of time and space, reflecting the values of site-specificity when approaching each exhibition concept. The gallery's name 'Project Fulfill' reflects our approach to each exhibition concept, where artists are invited to imagine the exhibition experience as a relationship with the environment, by integrating the gallery space; its characteristics and conditions into their artwork, echoing the notion of 'right here, right now' (which is also the meaning of Project Fulfill's Chinese name "Jui Zai").  The sensations and experiences found within each exhibition become unique creative experiences with both the artwork and its surroundings, transcending beyond a conventional gallery experience. Likewise each exhibition piece is not easily moved from one location to another, rather they become interwoven with the fabric of space and time in the here and now.

๋ ˆ๋ฒ„๋ฆฌ โŽฎReverie

Humble Cottage (ํ—˜๋ธ” ์ฝ”ํ‹ฐ์ง€), 2023โ€“2025  Single-channel, 4K video, sound, black and white / ์‹ฑ๊ธ€ ์ฑ„๋„, 4K ๋น„๋””์˜ค, ์‚ฌ์šด๋“œ, ํ‘๋ฐฑ  Edition 2/5 + 2 AP / ์—๋””์…˜ 2/5 + AP 2์   Duration: 5:37 / ๋Ÿฌ๋‹ํƒ€์ž„: 5๋ถ„ 37์ดˆ
Humble Cottage (ํ—˜๋ธ” ์ฝ”ํ‹ฐ์ง€), 2023โ€“2025  Single-channel, 4K video, sound, black and white / ์‹ฑ๊ธ€ ์ฑ„๋„, 4K ๋น„๋””์˜ค, ์‚ฌ์šด๋“œ, ํ‘๋ฐฑ  Edition 2/5 + 2 AP / ์—๋””์…˜ 2/5 + AP 2์   Duration: 5:37 / ๋Ÿฌ๋‹ํƒ€์ž„: 5๋ถ„ 37์ดˆ

Reverie (๋ ˆ๋ฒ„๋ฆฌ), 2024

Full HD video, colour, stereo sound / ํ’€ HD ๋น„๋””์˜ค, ์ปฌ๋Ÿฌ, ์Šคํ…Œ๋ ˆ์˜ค ์‚ฌ์šด๋“œ

Edition 2/6 + 2 AP / ์—๋””์…˜ 2/6 + AP 2์ 

Duration: 10:50 / ๋Ÿฌ๋‹ํƒ€์ž„: 10๋ถ„ 50์ดˆ

๋ ˆ๋ฒ„๋ฆฌ โŽฎReverie

๋ ˆ๋ฒ„๋ฆฌ โŽฎReverie

Humble Cottage (ํ—˜๋ธ” ์ฝ”ํ‹ฐ์ง€), 2023โ€“2025  Single-channel, 4K video, sound, black and white / ์‹ฑ๊ธ€ ์ฑ„๋„, 4K ๋น„๋””์˜ค, ์‚ฌ์šด๋“œ, ํ‘๋ฐฑ  Edition 2/5 + 2 AP / ์—๋””์…˜ 2/5 + AP 2์   Duration: 5:37 / ๋Ÿฌ๋‹ํƒ€์ž„: 5๋ถ„ 37์ดˆ
Humble Cottage (ํ—˜๋ธ” ์ฝ”ํ‹ฐ์ง€), 2023โ€“2025  Single-channel, 4K video, sound, black and white / ์‹ฑ๊ธ€ ์ฑ„๋„, 4K ๋น„๋””์˜ค, ์‚ฌ์šด๋“œ, ํ‘๋ฐฑ  Edition 2/5 + 2 AP / ์—๋””์…˜ 2/5 + AP 2์   Duration: 5:37 / ๋Ÿฌ๋‹ํƒ€์ž„: 5๋ถ„ 37์ดˆ

Reverie (๋ ˆ๋ฒ„๋ฆฌ), 2024

Full HD video, colour, stereo sound / ํ’€ HD ๋น„๋””์˜ค, ์ปฌ๋Ÿฌ, ์Šคํ…Œ๋ ˆ์˜ค ์‚ฌ์šด๋“œ

Edition 2/6 + 2 AP / ์—๋””์…˜ 2/6 + AP 2์ 

Duration: 10:50 / ๋Ÿฌ๋‹ํƒ€์ž„: 10๋ถ„ 50์ดˆ

์ด ์ž‘ํ’ˆ์€ ๋‚˜์“ฐ๋ฉ” ์†Œ์„ธํ‚ค์˜ ์†Œ์„ค ใ€Ž๋ชฝ์‹ญ์•ผใ€ ์ค‘ ์ฒซ ๋ฒˆ์งธ ์žฅ ใ€Œ์ฒซ์งธ ๋ฐคใ€์—์„œ ์˜๊ฐ์„ ๋ฐ›์•„, ์ด๋ผ ๋‚€ ๋Œ ์•ž์—์„œ 100๋…„ ๋™์•ˆ ์‚ฌ๋ž‘ํ•˜๋Š” ์ด๋ฅผ ๊ธฐ๋‹ค๋ฆฌ๋Š” ํ•œ ๋‚จ์ž์˜ ์ด์•ผ๊ธฐ๋ฅผ ์žฌํ•ด์„ํ•ฉ๋‹ˆ๋‹ค. ์˜์‹ฌ์ด ์Šค๋ฉฐ๋“ค๊ธฐ ์‹œ์ž‘ํ•  ์ฆˆ์Œ, ํ•˜์–€ ๋ฐฑํ•ฉ์ด ํ”ผ์–ด๋‚˜๋ฉฐ ์˜ค๋žซ๋™์•ˆ ์นจ๋ฌต ์†์— ์ง€์ผœ์ ธ ์˜จ ์•ฝ์†์ด ์‹คํ˜„๋ฉ๋‹ˆ๋‹ค. ๋ฐฑ ๋…„์˜ ์‹œ๊ฐ„์˜ ํ๋ฆ„๊ณผ ๊ฝƒ์ด ํ”ผ์–ด๋‚˜๋Š” ์ฐฐ๋‚˜์˜ ํ–ฅ๊ธฐ๋ฅผ ๋ณ‘์น˜์‹œํ‚ค๋ฉฐ, ์ด ์ž‘ํ’ˆ์€ ๋Œ€๋งŒ์˜ ์‚ฐ๊ณผ ๋ฐ”๋‹ค๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ์ด ์ด์•ผ๊ธฐ๋ฅผ ์ƒˆ๋กญ๊ฒŒ ํ’€์–ด๋ƒ…๋‹ˆ๋‹ค. ์˜์ƒ์€ ์งˆํˆฌ์™€ ์˜์‹ฌ์ด ๊ต์ฐจํ•˜๋Š” ์„ฌ์„ธํ•œ ๊ฐ์ •์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ, ์ธ๋‚ด, ๊ฐˆ๋ง, ๊ทธ๋ฆฌ๊ณ  ์„ฑ์ทจ์˜ ๋ง์—†์Œ์„ ํƒ๊ตฌํ•ฉ๋‹ˆ๋‹ค.


Inspired by the opening chapter, โ€˜The First Nightโ€™, of Soseki Natsumeโ€™s novel โ€˜Ten Nights of Dreamsโ€™, this video work reimagines the story of a man who waits for 100 years before a moss- covered stone, longing for the return of his beloved. Just as doubt begins to take root, a white lily blooms, fulfilling a promise long kept in silence. Paralleling the passage of a century with the ephemeral fragrance of blooming flowers, the piece reinterprets this tale against the backdrop of Taiwanโ€™s mountains and sea. The visuals evoke a delicate interplay of envy and doubt, exploring themes of patience, longing, and the fleeting nature of fulfillment.

์ด ์ž‘ํ’ˆ์€ ๋‚˜์“ฐ๋ฉ” ์†Œ์„ธํ‚ค์˜ ์†Œ์„ค ใ€Ž๋ชฝ์‹ญ์•ผใ€ ์ค‘ ์ฒซ ๋ฒˆ์งธ ์žฅ ใ€Œ์ฒซ์งธ ๋ฐคใ€์—์„œ ์˜๊ฐ์„ ๋ฐ›์•„, ์ด๋ผ ๋‚€ ๋Œ ์•ž์—์„œ 100๋…„ ๋™์•ˆ ์‚ฌ๋ž‘ํ•˜๋Š” ์ด๋ฅผ ๊ธฐ๋‹ค๋ฆฌ๋Š” ํ•œ ๋‚จ์ž์˜ ์ด์•ผ๊ธฐ๋ฅผ ์žฌํ•ด์„ํ•ฉ๋‹ˆ๋‹ค. ์˜์‹ฌ์ด ์Šค๋ฉฐ๋“ค๊ธฐ ์‹œ์ž‘ํ•  ์ฆˆ์Œ, ํ•˜์–€ ๋ฐฑํ•ฉ์ด ํ”ผ์–ด๋‚˜๋ฉฐ ์˜ค๋žซ๋™์•ˆ ์นจ๋ฌต ์†์— ์ง€์ผœ์ ธ ์˜จ ์•ฝ์†์ด ์‹คํ˜„๋ฉ๋‹ˆ๋‹ค. ๋ฐฑ ๋…„์˜ ์‹œ๊ฐ„์˜ ํ๋ฆ„๊ณผ ๊ฝƒ์ด ํ”ผ์–ด๋‚˜๋Š” ์ฐฐ๋‚˜์˜ ํ–ฅ๊ธฐ๋ฅผ ๋ณ‘์น˜์‹œํ‚ค๋ฉฐ, ์ด ์ž‘ํ’ˆ์€ ๋Œ€๋งŒ์˜ ์‚ฐ๊ณผ ๋ฐ”๋‹ค๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ์ด ์ด์•ผ๊ธฐ๋ฅผ ์ƒˆ๋กญ๊ฒŒ ํ’€์–ด๋ƒ…๋‹ˆ๋‹ค. ์˜์ƒ์€ ์งˆํˆฌ์™€ ์˜์‹ฌ์ด ๊ต์ฐจํ•˜๋Š” ์„ฌ์„ธํ•œ ๊ฐ์ •์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ, ์ธ๋‚ด, ๊ฐˆ๋ง, ๊ทธ๋ฆฌ๊ณ  ์„ฑ์ทจ์˜ ๋ง์—†์Œ์„ ํƒ๊ตฌํ•ฉ๋‹ˆ๋‹ค.


Inspired by the opening chapter, โ€˜The First Nightโ€™, of Soseki Natsumeโ€™s novel โ€˜Ten Nights of Dreamsโ€™, this video work reimagines the story of a man who waits for 100 years before a moss- covered stone, longing for the return of his beloved. Just as doubt begins to take root, a white lily blooms, fulfilling a promise long kept in silence. Paralleling the passage of a century with the ephemeral fragrance of blooming flowers, the piece reinterprets this tale against the backdrop of Taiwanโ€™s mountains and sea. The visuals evoke a delicate interplay of envy and doubt, exploring themes of patience, longing, and the fleeting nature of fulfillment.

์ด ์ž‘ํ’ˆ์€ ๋‚˜์“ฐ๋ฉ” ์†Œ์„ธํ‚ค์˜ ์†Œ์„ค ใ€Ž๋ชฝ์‹ญ์•ผใ€ ์ค‘ ์ฒซ ๋ฒˆ์งธ ์žฅ ใ€Œ์ฒซ์งธ ๋ฐคใ€์—์„œ ์˜๊ฐ์„ ๋ฐ›์•„, ์ด๋ผ ๋‚€ ๋Œ ์•ž์—์„œ 100๋…„ ๋™์•ˆ ์‚ฌ๋ž‘ํ•˜๋Š” ์ด๋ฅผ ๊ธฐ๋‹ค๋ฆฌ๋Š” ํ•œ ๋‚จ์ž์˜ ์ด์•ผ๊ธฐ๋ฅผ ์žฌํ•ด์„ํ•ฉ๋‹ˆ๋‹ค. ์˜์‹ฌ์ด ์Šค๋ฉฐ๋“ค๊ธฐ ์‹œ์ž‘ํ•  ์ฆˆ์Œ, ํ•˜์–€ ๋ฐฑํ•ฉ์ด ํ”ผ์–ด๋‚˜๋ฉฐ ์˜ค๋žซ๋™์•ˆ ์นจ๋ฌต ์†์— ์ง€์ผœ์ ธ ์˜จ ์•ฝ์†์ด ์‹คํ˜„๋ฉ๋‹ˆ๋‹ค. ๋ฐฑ ๋…„์˜ ์‹œ๊ฐ„์˜ ํ๋ฆ„๊ณผ ๊ฝƒ์ด ํ”ผ์–ด๋‚˜๋Š” ์ฐฐ๋‚˜์˜ ํ–ฅ๊ธฐ๋ฅผ ๋ณ‘์น˜์‹œํ‚ค๋ฉฐ, ์ด ์ž‘ํ’ˆ์€ ๋Œ€๋งŒ์˜ ์‚ฐ๊ณผ ๋ฐ”๋‹ค๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ์ด ์ด์•ผ๊ธฐ๋ฅผ ์ƒˆ๋กญ๊ฒŒ ํ’€์–ด๋ƒ…๋‹ˆ๋‹ค. ์˜์ƒ์€ ์งˆํˆฌ์™€ ์˜์‹ฌ์ด ๊ต์ฐจํ•˜๋Š” ์„ฌ์„ธํ•œ ๊ฐ์ •์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ, ์ธ๋‚ด, ๊ฐˆ๋ง, ๊ทธ๋ฆฌ๊ณ  ์„ฑ์ทจ์˜ ๋ง์—†์Œ์„ ํƒ๊ตฌํ•ฉ๋‹ˆ๋‹ค.


Inspired by the opening chapter, โ€˜The First Nightโ€™, of Soseki Natsumeโ€™s novel โ€˜Ten Nights of Dreamsโ€™, this video work reimagines the story of a man who waits for 100 years before a moss- covered stone, longing for the return of his beloved. Just as doubt begins to take root, a white lily blooms, fulfilling a promise long kept in silence. Paralleling the passage of a century with the ephemeral fragrance of blooming flowers, the piece reinterprets this tale against the backdrop of Taiwanโ€™s mountains and sea. The visuals evoke a delicate interplay of envy and doubt, exploring themes of patience, longing, and the fleeting nature of fulfillment.

ํžˆ๋ผํ‚ค ์‚ฌ์™€ (b. 1977)
Hiraki Sawa
ํžˆ๋ผํ‚ค ์‚ฌ์™€ (b. 1977)
Hiraki Sawa

ํžˆ๋ผํ‚ค ์‚ฌ์™€๋Š” ์ผ๋ณธ์—์„œ ํƒœ์–ด๋‚˜ ํ˜„์žฌ ๋Ÿฐ๋˜๊ณผ ์ด์‹œ์นด์™€๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ™œ๋™ํ•˜๋ฉฐ, ์˜์ƒ ์ž‘์—…์„ ์ค‘์‹ฌ์œผ๋กœ ์„ค์น˜, ๋“œ๋กœ์ž‰, ์กฐ๊ฐ์„ ๊ฒฐํ•ฉํ•œ ํ˜ผํ•ฉ ๋งค์ฒด๋ฅผ ํ†ตํ•ด ์‹œ๊ณต๊ฐ„์  ์„ค์น˜ ์ž‘์—…์„ ์„ ๋ณด์ž…๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘์—…์€ ๊ฐœ์ธ์  ๊ธฐ์–ต๊ณผ ์ง‘๋‹จ์  ๊ธฐ์–ต ์‚ฌ์ด์˜ ์ง„๋™์„ ํƒ๊ตฌํ•˜๋ฉฐ, ์‹œ๊ฐ„๊ณผ ๊ธฐ์–ต์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ๋ณดํŽธ์„ฑ, ์ทจ์•ฝ์„ฑ, ๊ทธ๋ฆฌ๊ณ  ํ–ฅ์ˆ˜์˜ ์ •์„œ๋ฅผ ์„ฌ์„ธํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋ƒ…๋‹ˆ๋‹ค.


Born in Japan and based in London / Ishikawa, he creates spatial and temporal installations using mixed mediaโ€” primarily moving images, alongside installation, drawing, and sculpture. His work explores the oscillation between personal and collective memory, drawing out a quiet sense of universality, fragility, and nostalgiaโ€”an emotional terrain shaped by time and remembrance.

ํžˆ๋ผํ‚ค ์‚ฌ์™€๋Š” ์ผ๋ณธ์—์„œ ํƒœ์–ด๋‚˜ ํ˜„์žฌ ๋Ÿฐ๋˜๊ณผ ์ด์‹œ์นด์™€๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ™œ๋™ํ•˜๋ฉฐ, ์˜์ƒ ์ž‘์—…์„ ์ค‘์‹ฌ์œผ๋กœ ์„ค์น˜, ๋“œ๋กœ์ž‰, ์กฐ๊ฐ์„ ๊ฒฐํ•ฉํ•œ ํ˜ผํ•ฉ ๋งค์ฒด๋ฅผ ํ†ตํ•ด ์‹œ๊ณต๊ฐ„์  ์„ค์น˜ ์ž‘์—…์„ ์„ ๋ณด์ž…๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘์—…์€ ๊ฐœ์ธ์  ๊ธฐ์–ต๊ณผ ์ง‘๋‹จ์  ๊ธฐ์–ต ์‚ฌ์ด์˜ ์ง„๋™์„ ํƒ๊ตฌํ•˜๋ฉฐ, ์‹œ๊ฐ„๊ณผ ๊ธฐ์–ต์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ๋ณดํŽธ์„ฑ, ์ทจ์•ฝ์„ฑ, ๊ทธ๋ฆฌ๊ณ  ํ–ฅ์ˆ˜์˜ ์ •์„œ๋ฅผ ์„ฌ์„ธํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋ƒ…๋‹ˆ๋‹ค.


Born in Japan and based in London / Ishikawa, he creates spatial and temporal installations using mixed mediaโ€” primarily moving images, alongside installation, drawing, and sculpture. His work explores the oscillation between personal and collective memory, drawing out a quiet sense of universality, fragility, and nostalgiaโ€”an emotional terrain shaped by time and remembrance.

LOOP PLUS Instagram

2025 LOOP LAP Busan

ยฉ 2025 Loop Plus. All rights reserved.

์„œ์šธ ์ข…๋กœ๊ตฌ ํ†ต์ผ๋กœ 134, ๋ˆ์˜๋ฌธ D-ํƒ€์›Œ 22์ธต

22 F, D Tower Donuimun, 134, Tongil-ro, Jongno-gu, Seoul, Republic of Korea

ํžˆ๋ผํ‚ค ์‚ฌ์™€ (b. 1977)
Hiraki Sawa

ํžˆ๋ผํ‚ค ์‚ฌ์™€๋Š” ์ผ๋ณธ์—์„œ ํƒœ์–ด๋‚˜ ํ˜„์žฌ ๋Ÿฐ๋˜๊ณผ ์ด์‹œ์นด์™€๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ™œ๋™ํ•˜๋ฉฐ, ์˜์ƒ ์ž‘์—…์„ ์ค‘์‹ฌ์œผ๋กœ ์„ค์น˜, ๋“œ๋กœ์ž‰, ์กฐ๊ฐ์„ ๊ฒฐํ•ฉํ•œ ํ˜ผํ•ฉ ๋งค์ฒด๋ฅผ ํ†ตํ•ด ์‹œ๊ณต๊ฐ„์  ์„ค์น˜ ์ž‘์—…์„ ์„ ๋ณด์ž…๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘์—…์€ ๊ฐœ์ธ์  ๊ธฐ์–ต๊ณผ ์ง‘๋‹จ์  ๊ธฐ์–ต ์‚ฌ์ด์˜ ์ง„๋™์„ ํƒ๊ตฌํ•˜๋ฉฐ, ์‹œ๊ฐ„๊ณผ ๊ธฐ์–ต์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ๋ณดํŽธ์„ฑ, ์ทจ์•ฝ์„ฑ, ๊ทธ๋ฆฌ๊ณ  ํ–ฅ์ˆ˜์˜ ์ •์„œ๋ฅผ ์„ฌ์„ธํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋ƒ…๋‹ˆ๋‹ค.


Born in Japan and based in London / Ishikawa, he creates spatial and temporal installations using mixed mediaโ€” primarily moving images, alongside installation, drawing, and sculpture. His work explores the oscillation between personal and collective memory, drawing out a quiet sense of universality, fragility, and nostalgiaโ€”an emotional terrain shaped by time and remembrance.

LOOP PLUS Instagram

2025 LOOP LAP Busan

ยฉ 2025 Loop Plus. All rights reserved.

์„œ์šธ ์ข…๋กœ๊ตฌ ํ†ต์ผ๋กœ 134, ๋ˆ์˜๋ฌธ D-ํƒ€์›Œ 22์ธต

22 F, D Tower Donuimun, 134, Tongil-ro, Jongno-gu, Seoul, Republic of Korea

ยฉ 2025 Loop Plus. All rights reserved.

์„œ์šธ ์ข…๋กœ๊ตฌ ํ†ต์ผ๋กœ 134, ๋ˆ์˜๋ฌธ D-ํƒ€์›Œ 22์ธต

22 F, D Tower Donuimun, 134, Tongil-ro, Jongno-gu, Seoul, Republic of Korea

LOOP PLUS Instagram

2025 LOOP LAP Busan

LOOP PLUS Instagram

2025 LOOP LAP Busan

ยฉ 2025 Loop Plus. All rights reserved.

์„œ์šธ ์ข…๋กœ๊ตฌ ํ†ต์ผ๋กœ 134, ๋ˆ์˜๋ฌธ D-ํƒ€์›Œ 22์ธต

22 F, D Tower Donuimun, 134, Tongil-ro, Jongno-gu, Seoul,

Republic of Korea